![]() Jazzed by the news, Brandi goes out drinking with coworker Tanya (Rukiya Bernard), then arranges to meet boyfriend Rashid (Russell Hornsby, "Edmond," "Get Rich or Die Tryin'") back at her place. Petersen (the director's wife, Carolyn Purdy-Gordon, "The Pit and the Pendulum") advises that she will no longer have time to deal with such inconveniences as she is being fast-tracked for a promotion. Binckley's (Wayne Robson, "Wrong Turn," TV's "The Red Green Show") favoritism, Mrs. Brandi (Mena Suvari, "Factory Girl") shows considerable compassion at her nursing assistant job at an old age home, but when she reacts to incontinent patient Mr. Each of these authority figures gives him their desired result and an unthinkable one before advising that the choice is his. With his unemployment run out and no new job, he's thrown out of the flophouse he's been staying at, treated with bureaucrat disrespect at a job placement agency and thrown out of the local park by a cop. Former project manager Tom (Stephen Rea, "The Crying Game," "V for Vendetta") is hitting rock bottom. And let’s enjoy what we’ve got while we can.Director Stuart Gordon ("Re-Animator," "Edmond") ripped the 2001 story of Chante Mallard from the headlines (screenplay by John Strysik) and has fashioned a startling morality play while serving his fan base with blackly humorous, squirm inducing gore. ![]() Yet as Trevor sagely concluded: “When all this is over, we’ve got to be kinder to everybody. ![]() Not only was Trevor a “neck-breather” with a laryngectomy but his wife Sally had been diagnosed with breast cancer a week before lockdown. We watched grandparents sing lullabies via Skype and cancer patients attend appointments alone, missing the support of their families.Īs well as poignant, it was oddly uplifting – full of indomitable spirit, warmth and flashes of wry humour. Gaining such intimate insights into people’s lives, especially in the current crisis, felt a rare privilege. They were faced with heartbreakingly tough decisions about their options if she contracted the virus. “Go and light up the universe!” Chris and Yvonne, meanwhile, were worried about their severely disabled daughter Clare, who needed round-the-clock care. “Farewell, friend!” he called at the screen. It had already claimed the lives of four of his fellow steelpan players and Desmond attended the funeral of the latest victim via video link. Among them was terminal cancer sufferer Suzie, who was staying jolly by exercising with the 1980s fitness star the Green Goddess (who needs Joe Wicks?), dressing smartly (she had quite the collection of statement jewellery) and seeing friends on her Sunday afternoon drive, where they waved from their doorsteps and exchanged a few words.ĭesmond, 82, was acutely aware of Covid-19’s high mortality rate among black men. Narrated by Imelda Staunton, this emotive film – shot video-diary style or through subjects’ windows – was a sobering reminder how many people will be affected by the pandemic for a long time to come.Īs restrictions for the lucky majority are loosened, it told the lockdown stories of elderly and vulnerable people around the country, for whom self-isolation may continue for many months. ![]() Old, Alone and Stuck at Home (Channel 4) had a glib title, hinting at a gimmicky documentary, but that did it a disservice.
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